Vesselin’s 2017 cycle manifests many of his most astonishing and psychedelic works adopting a more maximalistic approach to his experiments with color and landscape. Figures appearing as double or even triple-visional entities adorn mellifluent tsunamis of color. In keeping with the folkloric themes of his previous cycles, Vesselin incorporates images of fish swimming through pigmented streams and multifaceted textures. Observing such elements ought not to distract viewers from other fascinating elements as well such as images of plant life and birds melting into the psychedelia of their surroundings.